This article is to examine YANG Myung Moon and his poem 『SongGa』 published in North Korea at the liberation period. The purpose is to know how Pure literary writers in North Korean under social, political, and cultural circumstances in the liberation period of North Korea, experienced the frustration in their pointing spot of literature, and moreover, how the outcome and process did appear to compromise and accept the external pressure. The meaning of this study does not stop just to consider YANG Myung Moon and his literary choice as a writer in North Korea at the time of liberation. It is expected that this will be the opportunity to continue further related investigation of writers in North Korea under the similar circumstance, inferring their choices and paths who did not assimilate or could not agree with the ideology.
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