This article is written for the purpose of analyzing the novel world which Whang, Suk-Young and Lee, Moon-Yeol achieved centering around the ideology. Hwang, Suk-Young and Lee, Moon-Yeol are as well as the writers who consisted literal completion and representative novelists who give an ideological voice. Analysis and Numbering Interpretation of the ideology is possible in condition that fuzzy theory makes unmeasurings measurable. At the chapter 2, described their confrontation course about the experience of the alienation and loss through the absence of a hometown and their fathers which are two writers' common experience. Whang, Suk-Young's early works, 「Before resurrection」 and 「Standing stone vicinity (立石附近)」 are far with a progressive ideology and try to overcome a sense of alienation and loss with a rebellious spirit and invincible will. Otherwise at the 「Sae Ha Gok」 「Wild Ox」 「Portrait of the young」 of Lee, Moon-Yeol's early works, we can see there are progressive discourses contained which were influenced by Sartre but he try to deny the experience of the loss and the alienation with the off ideology through the self-inspection. The confrontation ways are different for resisting in a violation ideology and at the 「For my brother」 and 「Our twisted hero」, the methods to destroy the dictator are distinctive each novel as one is resolved by dependence of the people and another is by outside force.Through the experience of visiting North Korea, returning and imprisoning, Whang, Suk-Young's literal world became more mature and consisted the balanced in left with the harmony to move to right and finally his later representative piece, 「Guest」 「Gangnam Dream」 came out. Lee, Moon-Yeol had a controversy with 90 and 2000's progressive force and slanted conservatively but applied ‘Transcendental Sainsung(私人性)’ with balance which produced a lot of wonderful pieces, 「Homo Executans」 「Immortality」.