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[학술논문] 알레고리 영화로서의 <마더> -영화에 나타난 대한민국 현대사의 비극성-

Bong, Joon-ho's <Mother> seems to deal with insane maternal affection. However, the film contains too many vague and unclear scenes to be considered drawing only a mad mother's love, and as these obscure and uncertain scenes don't belong tightly to narrative of maternal affection, it sometimes seems to be unnecessary and useless. This study examines on what ‘layer of meaning’ is hidden behind

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[학술논문] 알레고리 영화로서의 <마더> -영화에 나타난 대한민국 현대사의 비극성-

Bong, Joon-ho's seems to deal with insane maternal affection. However, the film contains too many vague and unclear scenes to be considered drawing only a mad mother's love, and as these obscure and uncertain scenes don't belong tightly to narrative of maternal affection, it sometimes seems to be unnecessary and useless. This study examines on what ‘layer of meaning’ is hidden behind

#allegory #mother #contemporary Korean history #citizens as the subject of history #circulation of tragedy #김금동

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