[학술논문] 최승희의《 풍랑을 뚫고》창 작 과정에 작용한 북한식 사회주의적 사실주의
This study pursues understanding an aspect of Ch’oe Sŭng-hŭi's method for making dance productions focusing on P’ungnang ŭl ttul’ko (Throughout the Storm), her production following the dogma of Socialist Realism. After she had defected to North Korea in 1946, Ch’oe Sŭng-hŭi served for building North Korea with her dance. As art was allowed only for the political aims of