[학술논문] 포스트사회주의 시기 중국소수민족 영화를 통해본 소수민족 정체성과 문화정치 ― 張律의 영화를 중심으로
...of Zhang Lü shooting the true figure, catching up emotion while watching the ‘danger of distortion’ can be understood. His aesthetics that reminds us of ‘Cinema Verite’ or ‘Direct Cinema’ is to look for the right place to express his characters' truth according to his emotional line. Zhang Lü prefers actors or actresses who can have us look at them...
[학술논문] 애도와 물신 사이에서 -『조선영화』를 중심으로 본 1990년대 북한영화 담론
This paper examines the 1990s’ North Korean Cinema through Chosunyounghwa and some articles by Kim Jung-il. The North Korean cinematic discourses in the 1990s had been changed since the death of Kim il-sung, the dictator of North Korea, taking place in 1994. It advocated the second literature-art revolution in relation to the films such as the series of Minjok and Woonmyong(Nation and Destiny)under...
[학술논문] 영화국가 만들기 -「영화예술론」을 중심으로 한 사회주의 영화미학에 대한 고찰-
A foundation of North Korean cinema was established during the 1960s to 1970s and Film Art by Kim Jong-il is placed in its core. Re-mediating Kim Il-sung Suryung(the great leader)'s struggle and revolutionary operas written by Kim Il-sung into cinema as a modern technology, Kim Jong-il reformed North Korea as Cinema-state. In doing so, the heredity of the dictatorial power was naturalized and...
[학술논문] 탈북의 영화적 표상과 공간 상상
...phenomena in the Korean film industry lately is that there has been an increasing interest in the experience of the North Korean defectors. The reproduction of the North Korean defectors' experience has been captured in diverse formats such as in Korean blockbuster movies, independent movies and movies directed by Korean-Chinese directors. This paper focus on presence of North Korean defectors who...
[학술논문] 북한예술영화 <붉은 선동원>(1962) 연구: 원작 연극의 영화적 각색과 매체 전환
...representative North Korean art film that visualizes the Chollima-era imperative of internalizing collectivism through re-education narratives in the 1960s. This study examines the adaptation process from stage to screen and analyzes the artistic orientation and medium-specific transformations introduced by director Park Hak. Drawing on his background as an actor, Park actively exploited cinema’s formal...