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학술자료
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[학술논문] 코리안 디아스포라 문학의 한 양상- 정철훈의 『인간의 악보』를 중심으로
...Chul-hun, discriminate from other diaspora literature that is written in South Korea. This novel shows the journey 'South Korea-North Korea-Moscow(the U.S.S.R)-Almaty(Kazakhstan)' as a Korean ordeal history of diaspora is brought about division. This means division literature is locked in a time and space of Korea overcomes the Korean Peninsula. Missing part of Korean history is restored by this novel...
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[학술논문] 이찬 시의 낭만성과 비극성
...desire for lost world. Maximizing the romance was proletarian poetry. His third-term poems were feelings of the northern countries called the spirit of Lee Chan‘’s poems. He recognized the emotion of diaspora as the tragedy in these poems. It was remarkable time that the poet’s tragedy observing and expressing the reality of colony. Afterward he wrote poems related inside withdrawal and war cooperation...
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[학술논문] 분단과 전쟁의 디아스포라-재일조선인 문제를 중심으로
...the Division and the Korean War. Korean residents in Japan may belong to this old diaspora still, together with their dispersed families in Korean in the post Cold War era. First of all, this paper is to study the number and situations of Korean diasporas living abroad due to the division and the war. And then it is to consider how the division and the war had influence on Korean residents in Japan...
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[학술논문] JAPANESE WIVES OF RESIDENT KOREANS AND THEIR “REPATRIATION” TO NORTH KOREA
...to North Korea is beginning to be unearthed, but stories of Japanese spouses who moved to North Korea with their Korean families have remained largely untold. This article attempts to break the silence of Japanese wives that looms large in historical narratives on the Korean diaspora in Japan by drawing on their voices that appeared in newspapers and organ papers during the repatriation program and...
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[학술논문] 포스트사회주의 시기 중국소수민족 영화를 통해본 소수민족 정체성과 문화정치 ― 張律의 영화를 중심으로
Zhang Lü is a Korean-Chinese film director. He is a marginal man who is not welcomed in either his mother language (Korean) or national language (Chinese). He is an ‘accented director’ who has the diaspora experience, and post-colonial ethnicity and identity. His identity floats between ‘disapora Korean-Chinese’ identity and ‘Chinese inteligentsia’ identity. Zhang Lü pursues human dignity without following...
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