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학술자료
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[학술논문] 알레고리 영화로서의 <마더> -영화에 나타난 대한민국 현대사의 비극성-
Bong, Joon-ho's <Mother> seems to deal with insane maternal affection. However, the film contains too many vague and unclear scenes to be considered drawing only a mad mother's love, and as these obscure and uncertain scenes don't belong tightly to narrative of maternal affection, it sometimes seems to be unnecessary and useless. This study examines on what ‘layer of meaning’ is hidden behind...
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[학술논문] 북한 전후시에 나타난 여성의 이미지
...characters in the postwar-poetry of North Korea are mother, wife, lady, girl, and woman of foreign. The image of mother means motherland, wife means an active worker or a worrier, lady means an active worker or a pillar of society, girl means a bud of hope for the Asian socialization, and woman of foreign means army comrade for the world's socialization. Mother as motherland vehicle appears solo, but wife...
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[학술논문] 안중근 가문의 유방백세와 망각지대
...Ahn Jung-geun’s remains. When it comes to the recovery of remains, all attention is focused solely on Ahn Jung-geun’s remains. There have not been any official surveys of the graves of Maria Cho (mother), Kim A-ryeo (wife), or Ahn Jeong-geun (brother), all of which are in Shanghai. Similarly, no official search has been launched to locate the remains of Ahn Gong-geun (brother), which went missing...
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[학술논문] 포스트사회주의 시기 중국소수민족 영화를 통해본 소수민족 정체성과 문화정치 ― 張律의 영화를 중심으로
Zhang Lü is a Korean-Chinese film director. He is a marginal man who is not welcomed in either his mother language (Korean) or national language (Chinese). He is an ‘accented director’ who has the diaspora experience, and post-colonial ethnicity and identity. His identity floats between ‘disapora Korean-Chinese’ identity and ‘Chinese inteligentsia’ identity. Zhang Lü pursues human dignity without following...
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[학술논문] 남북한 분단 이후 ‘녹족부인ʼ 서사의 변이 양상 연구 -북한 <평양지>의 「록족 부인」을 중심으로
...the narrative deleting class discrimination image by making Nokjokbuin to be commoner and also to expose the feudal ruling class at the phrase in showing the separation of mother and son. The process of the separation of mother and son is progressed to remove heroic narrative character and mythical meaning in the existing story. And, “Nokjokbuin(B)” reduces the subjective status of Nokjokbuin and...
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