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학술자료
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[학술논문] 북한 연극에서의 수령형상미학 양상 -<승리의 기치따라>를 중심으로-
...1971), and (Aggregate, 1973). revealed through the materials of North Korea. Among them, is the script of its performed play at Chollima National Theater in 1968, as well as the work adapted to the revolutionary play in the form of in the play revolution of late 1970s. This play figures Suryung as ‘Fatherly General’ as well as ‘Excellent Commander’ among figuration types classified...
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[학술논문] 남북한 통일 정책의 변화로 본 북한연극연구사
...political and social researches, researches on ideological implications form the main stream, and the start with the viewpoint of literature becomes the mechanism that produces researches on theater and play in large quantities. If so, what is the desirable environment for researches on North Korean theater? The ‘closed society’of North Korea makes it impossible for individual researchers to...
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[학술논문] 해방 직후 조선연극동맹연구 ― 일제하 재일조선인 연극운동의 영향을 중심으로 ―
...significant contribution to establish the national, popular culture of drama. The Chosun Drama Alliance was also highly appreciated from the Drama Art Association(극예술협회) that advocates ‘pure play’because of these activities. Many peoples of the Chosun Drama Alliance chose the North Korea in political situation of the ‘Liberation Space’ and conflict of left and right ideology...
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[학술논문] 북한예술영화 <붉은 선동원>(1962) 연구: 원작 연극의 영화적 각색과 매체 전환
The film The Red Agitator (1962), adapted from Cho Baek-ryeong’s 1961 play of the same title, is a representative North Korean art film that visualizes the Chollima-era imperative of internalizing collectivism through re-education narratives in the 1960s. This study examines the adaptation process from stage to screen and analyzes the artistic orientation and medium-specific transformations introduced...
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[학위논문] 로져스(Richard Rodgers)와 해머슈타인(Oscar Hammerstein II) 의 뮤지컬 작품 분석을 통한 브로드웨이 뮤지컬의 발전 과정에 관한 연구 : 대중오락에서부터 예술형식으로 도약하기까지
...followed that contained thought-provoking plots with serious themes, and in which all the aspects of the play, dance, song, and drama, were combined in an integrated whole.
After <Oklahoma!>, Rodgers and Hammerstein were the most important contributors to the musical-play form – with such masterworks as <Carousel>, <The King and I> and <South...
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