[학술논문] Cultural Appropriation, or the Right to Write Fiction: Narrating North Korea in Adam Johnson’s The Orphan Master’s Son
...switch focus to narrative ethics. The first part examines Lionel Shriver’s rejection of identity politics in fiction writing as articulated in her controversial speech at the Brisbane Writers
Festival in 2016. Although Shriver’s frustration with the cultural and political hypersensitivity about writing others is understandable, I argue that the writer’s freedom to write about anything...
